Ray Netflix Web Series
The first, a paranoid thriller directed by Srijit Mukherji and named Forget Me Not, is a landmark to drop culture. Ali Fazal plays Ipsit, a corporate shark who his partners depict as a human PC. In any case, a possible experience with a previous fire sends him spiraling into self-question. However, the most dreary of Ray’s four movies aren’t Forget Me Not. Instead, that questionable honor should go to Mukherji’s other section, the Kolkata-set Bahupriya, featuring Kay Menon in basically a little show. Menon is incredible at playing unassuming psychos, and Bahupriya, in which he stars as a neglected cosmetics craftsman, gives him an interesting Joker-Esque person to dive.
Caught inside a hotel during an area shoot, he ends up being eclipsed by a baffling godwoman who moves into a similar lodging and has him ousted from his room. Played by Radhika Madan, Didi, as her supporters tenderly know her, is uncovered distinctly in the third demonstration; however, her essence felt through its 63-minute runtime. While working for the second time with Vasan Bala, Madan is excellent here, appealing and estranging in equivalent measure.
Ray Cast
Ray Directors by Srijit Mukherji, Vasan Bala, Abhishek Chaubey the Ray web series cast Ali Fazal, Manoj Bajpayee, Harshvardhan Kapoor, Gajraj Rao, Kay Kay Menon, Shweta Basu Prasad, Radhika Madan, Chandan Roy Sanyal, Akansha Ranjan Kapoor.
Trailer
Release Date
Ray is an upcoming Anthology arrangement dependent on Satyajit Ray’s four stories. Beam arrangement is all set to be released on Netflix on 25th June 2021.
Also, Read: Sanjay Kapoor’s The Last Hour Web Series streaming on Amazon
Review
Joaquin Phoenix’s Joker was Hollywood’s response to Satyajit Ray’s Bahurupi. Kay Menon stars as Indrashish Shaha, a yearning make-up craftsman who stayed with a task and life he hates. Indro is a basic man with straightforward dreams, yet he’s tangled in a world not good for him. So, like how society pushes Joaquin’s Curry to change into Joker, Indro chooses to plan how he’ll stroll on with pantomime.
Siraj Ahmed’s screenplay, once more, reasonably welcomes Ray’s Bahurupi on-screen. Kay Menon may have the best 50 minutes of his profession with this one. Beam’s brand name characteristic of his person ‘battling with his life’ depicted by Kay in a manner nobody else could’ve done. You can see all over how his life is self-destructing, and he doesn’t have any say in it. Yet, the change of what he becomes when he gets the way into his issues is the reach just an entertainer like Kay Menon could have.
