Chaavu Kaburu Challaga Movie is a romantic comedy-drama. It has written and also directed by Pegallapati Koushik, and produced by Bunny Vasu under the banner of GA2 Pictures. The music has composed by Jakes Bejoy. Anusuya had appeared as a guest appearance.
Chaavu Kaburu Challaga Upcoming Film in this trailer Basthi Balaraju is a Burial who takes the cadavers to the graveyard. And eventually, he most likely to Mallika’s house because his husband was dead and he loved Mallika at that funeral, in this movie Balaraju’s character was very interesting and Ammani also plays an important role.
Balaraju is an anthima yatara van driver and Mallika’s husband had died when the Balaraju come to collect his Mallika husband’s body and he saw her fall in love. But Mallika did not accept his love but his mother understands and she supports his love. But Mallika thinks they are complete opposites but it could have never been working out.
Release Date details
The moviemakers announced that the film was mosting likely to release on 19 March 2021. This movie had presented by Allu Aravind.
In this movie, music has composed by Jakes Bejoy. In this movie, PainaPataaram item songs had done by Anusuya.
Chaavu Kaburu Challaga Full Download from Filmyzilla
Chaavu Kaburu Challaga will officially release on Aha. Those who don’t have access to Aha can watch it on Filmyzilla as it leaks new releases. This movie can download from their website and they are available the download links of the movie for offline viewing.
- Kartikeya Gummakonda
- Lavanya Tripathi
- Murali Sharma
Balaraju (Kartikeya Gummakonda) is the driver of a funeral wagon. Having seen the family members of the dead cry each day, he has gotten numb to death. It is unexplainable adoration for him when he sees Mallika (Lavanya Tripathi), who has quite recently been bereaved by the demise of her significant other Peter. He proposes. She and her parents-in-law reject him. This is additionally when Balaraju comes to know about a stunning truth about his mom (Aamani). The remainder of the film is about how the two strings cross to give a feeling of significance to the film.
To be reasonable for the essayist chief, he focuses on a fascinating reason. It’s few out of every odd day that a standard business film shows the female lead as a widow. In the possession of a second-rate producer, Mallika would have been bereaved a little while after the wedding without her marriage being culminated, in this manner mirroring the predominance of male-centric reasoning.
Mallika is a medical attendant and, out of every other place on earth, she is posted in a maternity ward. She is a functioning observer to the delights of new births, while Balaraju is a latent observer to the strength of passings. This is a difference that the film features for great.
For all the phenomenal idea of the reason, the film feels like a crypto school grounds kid stalks-young lady ‘sentiment’. Balaraju breaks into serious events and gets frightening with Mallika. Also, her relatives have decreased to offering response chances for a large portion of the main half. They resemble Mallika’s school companions who need to latently communicate disdain at Balaraju’s inhumane conduct.
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